Angelo Lelii Chandelier Model 12369, 1951

Angelo Lelii for Arredoluce, suspension light model 12369, Italy circa 1950-1960

Organic chandelier designed by Angelo Lelii for Arredoluce. The composition unfolds through six leaf-shaped elements that open upward toward the ceiling, gently enveloping the light sources. Crafted in hammered and perforated brass, the surface displays a lively, tactile texture that enhances the sculptural presence of the lamp. Each leaf tapers into an elegant stem, all converging at the central structure to form a coherent yet dynamic whole. A distinctive feature of this design is the flexibility of the individual leaves, allowing them to be subtly repositioned and arranged according to personal preference. This adjustable quality introduces a sense of movement and individuality, reinforcing Lelii’s ability to merge organic form, refined craftsmanship, and functional innovation into a highly expressive lighting object. 33" x 33" x 37,5"

Literature: Pansera, Padan, Palmaghini- Arredoluce p.127

Paolo Angelo Lelii (1911–1979) was born in Ancona, Italy, and trained at the Instituto Superiore per le Industrie Artistiche in Milan. He later settled in Monza, where he lived and worked for most of his career. Beginning in 1943, Lelii produced lamps in his own home, and in 1946 he introduced his now-iconic Tris lamp through an advertisement in Domus. A year later, he founded Arredoluce in Monza, establishing what would become one of Italy’s leading manufacturers of lighting and furnishings.

In 1947, Lelii presented model 12128 at the VII Triennale di Milano, later known as the Triennale floor lamp, marking a pivotal moment in his career. He emerged as a key figure in postwar Italian design, particularly in modern lighting. During the 1950s, Arredoluce collaborated with designers such as Franco Albini, Achille Castiglioni, Gio Ponti, and Ettore Sottsass, while also pioneering the use of halogen bulbs, leading to the distinctive Arredoluce switch. Lelii’s rigorous yet inventive approach positioned Arredoluce as a benchmark for refined, functional, and high-quality design.